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Cлово "YOUR"

Часть текста: HAD PASSED. Now that it is all over and I am writing a record of it, we know all about it; but at the time we knew nothing, and it was natural that many things should seem strange to us: Stepan Trofimovitch and I, anyway, shut ourselves up for the first part of the time, and looked on with dismay from a distance. I did, indeed, go about here and there, and, as before, brought him various items of news, without which he could not exist. I need hardly say that there were rumours of the most varied kind going about the town in regard to the blow that Stavrogin had received, Lizaveta Nikolaevna's fainting fit, and all that happened on that Sunday. But what we wondered was, through whom the story had got about so quickly and so accurately. Not one of the persons present had any need to give away the secret of what had happened, or interest to serve by doing so. The servants had not been present. Lebyadkinwas the only one who might have chattered, not so much from spite, for he had gone out in great alarm (and fear of an enemy destroys spite against him), but simply from incontinence of speech-But Lebyadkin and his sister had disappeared next day, and nothing could be heard of them. There was no trace of them at Filipov's house, they had moved, no one knew where, and seemed to have vanished. Shatov, of whom I wanted to inquire about Marya Timofyevna, would not open his door, and I believe sat locked up in his room for the whole of those eight days, even discontinuing his work in the town. He would not see me. I went to see him on Tuesday and knocked at his door. I got no answer, but being convinced by unmistakable evidence that he was at home, I knocked a second time. Then, jumping up, apparently from his bed, he strode to the door and shouted at the top of his voice: “Shatov is not at home!” With that I went away. Stepan Trofimovitch and I,...

2. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter VI. Pyotr Stepanovitch is busy

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Часть текста: places; fires were prevalent that summer in towns and villages; whilst among the peasantry foolish rumours of incendiarism grew stronger and stronger. Cases of robbery were twice as numerous as usual. But all this, of course, would have been perfectly ordinary had there been no other and more weighty reasons to disturb the equanimity of Audrey Antonovitch, who had till then been in good spirits. What struck Yulia Mihailovna most of all was that he became more silent and, strange to say, more secretive every day. Yet it was hard to imagine what he had to hide. It is true that he rarely opposed her and as a rule followed her lead without question. At her instigation, for instance, two or three regulations of a risky and hardly legal character were introduced with the object of strengthening the authority of the governor. There were several ominous instances of transgressions being condoned with the same end in view; persons who deserved to be sent to prison and Siberia were, solely because she insisted, recommended for promotion. Certain complaints and inquiries were deliberately and systematically ignored. All this came out later on. Not only did Lembke sign everything, but he did not even go into the question of the share taken by his wife in the execution of his duties. On the other hand, he began at times to be restive about “the most trifling...

3. Dostoevsky. The Possessed (English. Бесы). Part I. Chapter V. The subtle serpent

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Часть текста: cried Marya Timofyevna, clapping her hands, ecstatically preparing herself to listen to a conversation in French. Varvara Petrovna stared at her almost in dismay. We all sat in silence, waiting to see how it would end. Shatov did not lift up his head, and Stepan Trofimovitch was overwhelmed with confusion as though it were all his fault; the perspiration stood out on his temples. I glanced at Liza (she was sitting in the corner almost beside Shatov). Her eyes darted keenly from Varvara Petrovna to the cripple and back again; her lips were drawn into a smile, but not a pleasant one. Varvara Petrovna saw that smile. Meanwhile Marya Timofyevna was absolutely transported. With evident enjoyment and without a trace of embarrassment she stared at Varvara Petrovna's beautiful drawing-room—the furniture, the carpets, the pictures on the walls, the old-fashioned painted ceiling, the great bronze crucifix in the corner, the china lamp, the albums, the objects on the table. “And you're here, too, Shatushka!” she cried suddenly. “Only fancy, I saw you a long time ago, but I thought it couldn't be you! How could you come here!” And she laughed gaily. “You know this woman?” said Varvara Petrovna, turning to him at once. “I know her,” muttered Shatov. He seemed...

4. Dostoevsky. Poor Folk (English. Бедные люди). Page 4

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Часть текста: it was practically my first sight of her, seeing that only once before had I been to the theatre. In those days I lived cheek by jowl with a party of five young men--a most noisy crew- and one night I accompanied them, willy-nilly, to the theatre, though I held myself decently aloof from their doings, and only assisted them for company's sake. How those fellows talked to me of this actress! Every night when the theatre was open, the entire band of them (they always seemed to possess the requisite money) would betake themselves to that place of entertainment, where they ascended to the gallery, and clapped their hands, and repeatedly recalled the actress in question. In fact, they went simply mad over her. Even after we had returned home they would give me no rest, but would go on talking about her all night, and calling her their Glasha, and declaring themselves to be in love with "the canary-bird of their hearts." My defenseless self, too, they would plague about the woman, for I was as young as they. What a figure I must have cut with them on the fourth tier of the gallery! Yet, I never got a sight of more than just a corner of the curtain, but had to content myself with listening. She had a fine, resounding, mellow voice like a nightingale's, and we all of us used to clap our hands loudly, and to shout at the top of our lungs. In short, we came very near to being ejected. On the first occasion I went home walking as in a mist, with a single rouble left in my pocket, and an interval of ten clear days confronting me before next pay-day. Yet, what think you, dearest? The very next day, before going to work, I called at ...

5. Dostoevsky. The Possessed (English. Бесы). Part I. Chapter II. Prince harry. Matchmaking

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Часть текста: already living apart from Varvara Petrovna, so that the child grew up entirely in his mother's care. To do Stepan Trofimovitch justice, he knew how to win his pupil's heart. The whole secret of this lay in the fact that he was a child himself. I was not there in those days, and he continually felt the want of a real friend. He did not hesitate to make a friend of this little creature as soon as he had grown a little older. It somehow came to pass quite naturally that there seemed to be no discrepancy of age between them. More than once he awaked his ten- or eleven-year-old friend at night, simply to pour out his wounded feelings and weep before him, or to tell him some family secret, without realising that this was an outrageous proceeding. They threw themselves into each other's arms and wept. The boy knew that his mother loved him very much, but I doubt whether he cared much for her. She talked little to him and did not often interfere with him, but he was always morbidly conscious of her intent, searching eyes fixed upon him. Yet the mother confided his whole instruction and moral education to Stepan Trofimovitch. At that time her faith in him was unshaken....

6. Dostoevsky. Poor Folk (English. Бедные люди)

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Часть текста: like to sleep for a short hour after my work is done)--I awoke, I say, and, lighting a candle, prepared my paper to write, and trimmed my pen. Then suddenly, for some reason or another, I raised my eyes--and felt my very heart leap within me! For you had understood what I wanted, you had understood what my heart was craving for. Yes, I perceived that a corner of the curtain in your window had been looped up and fastened to the cornice as I had suggested should be done; and it seemed to me that your dear face was glimmering at the window, and that you were looking at me from out of the darkness of your room, and that you were thinking of me. Yet how vexed I felt that I could not distinguish your sweet face clearly! For there was a time when you and I could see one another without any difficulty at all. Ah me, but old age is not always a blessing, my beloved one! At this very moment everything is standing awry to my eyes, for a man needs only to work late overnight in his writing of something or other for, in the morning, his eyes to be red, and the tears to be gushing from them in a way that makes him ashamed to be seen before strangers. However, I was able to picture to myself your beaming smile, my angel--your kind, bright smile; and in my heart there lurked just such a feeling as on the occasion when I first kissed you, my little Barbara. Do you remember that, my darling? Yet somehow you seemed to be threatening me with your tiny finger. Was it so, little wanton? You must write and tell me about it in your next letter. But what think you of the plan of the curtain, Barbara? It is a charming one, is it not? No matter whether I be at work, or about to retire to rest, or just awaking...

7. Dostoevsky. A Raw Youth (English. Подросток). Part I. Chapter VI

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Часть текста: though I am not resentful. . . . When I went in, I had a feeling that my mother immediately and hastily broke off what she was saying to Tatyana Pavlovna; I fancied they were talking very eagerly. My sister turned from her work only for a moment to look at me and did not come out of her little alcove again. The flat consisted of three rooms. The room in which we usually sat, the middle room or drawing-room, was fairly large and almost presentable. In it were soft, red armchairs and a sofa, very much the worse for wear, however (Versilov could not endure covers on furniture); there were rugs of a sort and several tables, including some useless little ones. On the right was Versilov's room, cramped and narrow with one window; it was furnished with a wretched-looking writing-table covered with unused books and crumpled papers, and an equally wretched-looking easy chair with a broken spring that stuck up in one corner and often made Versilov groan and swear. On an equally threadbare sofa in this room he used to sleep. He hated this study of his, and I believe he never did anything in it; he preferred sitting idle for hours together in the drawing-room. On the left of the drawing-room there was another room of the same...

8. Dostoevsky. Poor Folk (English. Бедные люди). Page 3

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Часть текста: How fresh and pleasant, how full of verdure, was everything! And I had not seen anything green for such a long time! During my illness I used to think that I should never get better, that I was certainly going to die. Judge, then, how I felt yesterday! True, I may have seemed to you a little sad, and you must not be angry with me for that. Happy and light-hearted though I was, there were moments, even at the height of my felicity, when, for some unknown reason, depression came sweeping over my soul. I kept weeping about trifles, yet could not say why I was grieved. The truth is that I am unwell--so much so, that I look at everything from the gloomy point of view. The pale, clear sky, the setting sun, the evening stillness--ah, somehow I felt disposed to grieve and feel hurt at these things; my heart seemed to be over-charged, and to be calling for tears to relieve it. But why should I write this to you? It is difficult for my heart to express itself; still more difficult for it to forego self- expression. Yet possibly you may understand me. Tears and laughter! . . . How good you are, Makar Alexievitch! Yesterday you looked into my eyes as though you could read in them all that I was feeling--as though you were rejoicing at my happiness. Whether it were a group of shrubs or an alleyway or a vista of water that we were passing, you would halt before me, and stand gazing at my face as though you were showing ...

9. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter II. Night (continued)

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Часть текста: empty expanse—the river. The houses were replaced by hovels; the street was lost in a multitude of irregular little alleys. Nikolay Vsyevolodovitch was a long while making his way between the fences, keeping close to the river bank, but finding his way confidently, and scarcely giving it a thought indeed. He was absorbed in something quite different, and looked round with surprise when suddenly, waking up from a profound reverie, he found himself almost in the middle of one long, wet, floating bridge. There was not a soul to be seen, so that it seemed strange to him when suddenly, almost at his elbow, he heard a deferentially familiar, but rather pleasant, voice, with a suave intonation, such as is affected by our over-refined tradespeople or befrizzled young shop assistants. “Will you kindly allow me, sir, to share your umbrella?” There actually was a figure that crept under his umbrella, or tried to appear to do so. The tramp was walking beside him, almost “feeling his elbow,” as the soldiers say. Slackening his pace, Nikolay...

10. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part six. Chapter Two

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Часть текста: he's playing his professional tricks again," Raskolnikov thought with disgust. All the circumstances of their last interview suddenly came back to him, and he felt a rush of the feeling that had come upon him then. "I came to see you the day before yesterday, in the evening; you didn't know?" Porfiry Petrovitch went on, looking round the room. "I came into this very room. I was passing by, just as I did to-day, and I thought I'd return your call. I walked in as your door was wide open, I looked round, waited and went out without leaving my name with your servant. Don't you lock your door?" Raskolnikov's face grew more and more gloomy. Porfiry seemed to guess his state of mind. "I've come to have it out with you, Rodion Romanovitch, my dear fellow! I owe you an explanation and must give it to you," he continued with a slight smile, just patting Raskolnikov's knee. But almost at the same instant a serious and careworn look came into his face; to his surprise Raskolnikov saw a touch of sadness in it. He had never seen and never suspected such an expression...

Поиск по творчеству и критикеCлово "YOUR"

Поиск по творчеству и критике
Cлово "YOUR"